List of bibliographic references indexed by Thomas Tomkins
Number of relevant bibliographic references: 47.
Ident. | Authors (with country if any) | Title |
---|
000005 (2012) |
Kirsten Gibson | The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres |
000054 (2009) |
C. V. R. Blacker ; David Pinto | Desperately seeking William: portraits of the Lawes brothers in context |
000082 (2008) |
David Humphreys [Niger] | George Kirbye's Clemens parody |
000084 (2008) |
Candace Bailey [Niger] | Blurring the Lines: ‘Elizabeth Rogers hir Virginall Book’ in Context |
000103 (2007) |
Peter Leech | Devotional music from Stuart England |
000116 (2006) |
G. Yvonne Kendall | Pills to Purge Melancholy: The Evolution of the English Ballett |
000128 (2006) |
John Irving | The last Elizabethan |
000150 (2005) |
David Pinto | Magic and mystery in Gibbons and Dowland |
000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
000157 (2005) |
| Books Received |
000180 (2003) |
Andrew Johnstone | ‘As it was in the beginning’: organ and choir pitch in early Anglican church music |
000303 (1998) |
| Main Index |
000312 (1997) |
Magnus Williamson | The recording history of the Eton Choirbook: a preliminary investigation |
000323 (1997) |
John Harper | “One equal music”: the Music of Milton's Youth |
000368 (1994) |
| Correction |
000374 (1993) |
Michael G. Brennan | SIR CHARLES SOMERSET'S MUSIC BOOKS (1622) |
000381 (1993) |
Howard Schott | EVENTS |
000395 (1991) |
Martin Morell [États-Unis] | ‘PERFORMANCE OF GIOVANNI GABRIELI S VOCAL WORKS’ |
000397 (1991) |
David Pinto | THOMAS TOMKINS AND A COPYIST ASSOCIATED WITH HIM |
000414 (1990) |
John Irving | THOMAS TOMKINS'S COPY OF MORLEY'S ‘A PLAIN AND EASY INTRODUCTION TO PRACTICAL MUSIC’ |
000461 (1987) |
Stewart Mccoy | Edward Paston and the textless lute-song |
000492 (1984) |
John Milsom | MUSIC |
000530 (1981) |
John Morehen | THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93 |
000532 (1981) |
Irving Godt | PRINCE HENRY AS ABSALOM IN DAVID'S LAMENTATIONS |
000557 (1979) |
Barra Boydell | Ieorg Wier an early sixteenth-century crumhorn maker |
000570 (1978) |
John Morehen | THE ENGLISH CONSORT AND VERSE ANTHEMS |
000580 (1978) |
Craig Monson | GEORGE KIRBYE AND THE ENGLISH MADRIGAL |
000597 (1977) |
G. A. Philipps | CROWN MUSICAL PATRONAGE FROM ELIZABETH I TO CHARLES I |
000607 (1976) |
David C. Price | GILBERT TALBOT, SEVENTH EARL OF SHREWSBURY: AN ELIZABETHAN COURTIER AND HIS MUSIC AN ELIZABETHAN COURTIER AND HIS MUSIC |
000611 (1975) |
Christopher Monk | Where the wind blows |
000625 (1974) |
Joscelyn Godwin | Playing from original notation |
000649 (1971) |
Thurston Dart | AN EARLY SEVENTEENTH-CENTURY BOOK OF ENGLISH ORGAN MUSIC FOR THE ROMAN RITE |
000663 (1969) |
John Morehen | THE SOUTHWELL MINSTER TENOR PART-BOOK IN THE LIBRARY OF ST. MICHAEL'S COLLEGE, TENBURY (MS. 1382) |
000730 (1958) |
Jeremy Noble | SIXTEENTH-CENTURY MUSIC ON RECORDS. II: SECULAR VOCAL MUSIC |
000731 (1958) |
Jeremy Noble | SIXTEENTH-CENTURY MUSIC ON RECORDS. I: SACRED MUSIC |
000747 (1956) |
Denis Stevens (musicologue) | REVIEWS OF BOOKS |
000754 (1955) |
Nan Cooke Carpenter | THE STUDY OF MUSIC AT THE UNIVERSITY OF OXFORD IN THE RENAISSANCE (1450–1600) |
000759 (1954) |
Thurston Dart | NEW SOURCES OF VIRGINAL MUSIC |
000786 (1949) |
W. L. S. | REVIEWS OF BOOKS |
000787 (1949) |
N. S. | REVIEWS OF BOOKS |
000788 (1949) |
Edmund H. Fellowes | MY LADYE NEVELLS BOOKE |
000796 (1947) |
Hugh M. Miller | “PRETTY WAYES: FOR YOUNG BEGINNERS TO LOOKE ON” |
000900 (1926) |
H. S. G. | “SMITHFIELD HORSES JOURNEYING ‘FOREIGN FOR EVANS’” |
000901 (1926) |
H. S. G. | “POOR MR. HUME.” |
000902 (1926) |
Helen M. Snyder | WILLIAM BYRD'S ‘BROWNING’FOR STRING QUINTETTE |
000904 (1926) |
E. | MARSHAL TALLARD: PLACE OF BURIAL |
000905 (1926) |
NEALAN | DAVID MCANALLY: SURGEON TO THE ARMAGH MILITIA,1793 to 1816 |
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